Monday, October 22, 2007

Mrs. Martin Part 1

I'll call her Mrs. Martin because I’m making up parts anyway. Because it’s memory and I’m always making that up. Mrs. Martin lived in a wheelchair and never left it as far as we knew. In fact, she never moved at all. In all the times we’d ninja into her yard close enough to get a look, we never saw her stir. The room’s only life was the constant flicker of television lighting up the windows and walls. She lived where Della Street U-ed into an industrial road that made the property value of our street just crap enough we could all afford to live there. We being Emily, Melissa, and me.

Our street only had three kids near my age. Em, a tom-boy with her own tree fort who believed in black magic, curses, and hexes. Melissa, a fifth grader who deigned to hang out with us, and would cock her head sideways, stick out her new chest, and tell me I’m cute when I laugh. Which would color me instantly. The third kid was Jason, who I hung out with for a week until we were in the forest playing commandos and he pulled down his pants and threw his own turd at my head.

It’s hard to be a boy with two girls as best friends. What I couldn’t see then is our first sonars of puberty, these first soundings. Sometimes Melissa would reach for my hand during cartoons. Em would wrestle me in her fort and just lay breathless on top of me. Em bought a training bra before she needed it because of Melissa. Melissa was jealous of the tree fort and found a secret place for us between our hedgerows. Once I asked Melissa if we could touch tongues after our daily batch of Kool-Aid. In the middle of her room, our tropical red tongues tipped together. She said later our first kiss was French. Em brained me with a rock when she found out.

We passed Mrs. Martin’s on our way to the forest. It looked all grown-back I told my Mom. I know the word now is reclamation. The twin maples jutted in, scraped against and into the attic window. The yard hadn’t been cut in years and the grass was head deep and pocked with litter. Probably not having noticed, Mrs. Martin had not followed the suburban trend of residing and her house looked bedraggled compared to the plastic sheens of her neighbors. Her house of cards was a fault line of expectations, a paint peeling question mark, a great breath of hesitation before something.

8 comments:

James Best said...

Hey! It's my friend, Tara, who I was talking websites with! Ha ha! How did you find me?! But you waited too long, it's not the summer anymore! I sure could have used that extra cash but unfortunately, to buy food I had to sell my feet! I hate you, Tara!

Grifter said...

hey its Joe, here is the website i was talking about where i got free ringtones and increased my bust size while meeting hot singles..........the website is here




jimmsly..when you contrast my entry (the one below) with this nugget that you wrote, it becomes readily apparent that you actually practice and hone the art of writing for creative purposes and that I am chained to a full-time writing life involving carbon sequestration, scientific computing (push glasses on nose with index finger), and feasible capacity load expectations for various forms of electricity generation. Lame, I am.

My reader-response: this resounds with me. I can identify, like most probably will, with that strange time in life where inter-gender relations become vitrified into something more. From that point, that very point in life, things got more complicated. It is there and exactly there that every one of us leaves the garden of paradise and enters a place both alluring and appaling. It is a pivotal fracture. I thought you embodied the principle (through Mrs. Martin's house) very well. Perfect objective correlative for the internal miasma.

One editing note: perhaps including "that" in the sentence toward the end of the 1st paragraph ("...just crap enough that we all...") would improve the flow just right there. Subjective--take or leave.

Thanks Jimmsy. I made a shallow comment on your other blog, but thought I should go a little deeper here.

James Best said...

Joe,

Thank you for that website. You didn't tell me that my boobs would be equipped with the ring tones. Oh well, as long as I have all these hot singles around me.

I'm glad you liked it. I'll finish it up soon, I just wanted to get some more writing on here. I think we should definitely use this space. I don't get to explore my other forms of writing very much. This is a welcome outlet.

Don't downplay your own writing. I envy much that you do. Difference keeps the worlds spinning.

It is an interesting time of life. These last days of innocence before we recognize that we are sexual beings. I'm fascinated with these years.

Now our friends need to get posting.

Emily G said...

I'll get posting soon. I've been working on little something-somethings, but I have a bit of stage fright.

James, I love reading your prose....I'm very excited about this. I have a real soft spot for coming-of-age pieces. I also like that you verb words like "ninja" and "brain." It reminded me a lot of what I like about old Ray Bradbury stories--the loss of innocence intertwined with nostalgic America and the painful addition of being too young and being too old. I like the pull of this...it's intriguing.

Also, maybe this is because I'm especially sensitive for Em because she feels like my namesake, but Melissa's a skank.

Aaron Allen said...

james,

read hemingway's nick adams stories for some real similar stuff. i think "ten little indians" reminded me a lot of this piece of prose. I know its probably not too cool to be compared to hemingway these days, but the themes seem to match.

Grifter said...

a. allen:

that was uncanny. sincerely.

i also thought of "Ten Indians": about young Nick and Prudence, and that closing sequence when Nick wakes up and the wind is blowing and he had forgotten about his broken heart.

I don't know you. but I am a fan.

James Best said...

Oh, my friend Aaron from Brooklyn who has found one of my blogs. Welcome, friend. Joseph meet Aaron. Aaron meet Joseph. Both two very uncanny observers. Thank you for the compliment. I'd love to be compared to Hemingway. My prose is my weakest writing I feel by far and I'm excited to get a chance to flex in this space. It gives me an impetus to practice at it.

Em, you should side with your namesake in this story. You and she have much more alike than you know. Perhaps you lived in Michigan in the late 80's and weren't aware?

James Best said...
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